Foe cinematographer Mátyás Erdély on working with Paul Mescal and Saoirse Ronan, the importance of emotion in film, and the current state of cinema.
Summary New sci-fi thriller Foe offers an exploration of both marriage and humanity, following a couple whose lives are thrown into turmoil by the request of a mysterious stranger. Based on a novel of the same name by I'm Thinking of Ending Things author Iain Reid, the story is set in 2065 in a desolate world where many have relocated off of Earth due to climate change. The film features Little Women's Saoirse Ronan, Normal People's Paul Mescal, and Brother's Aaron Pierre.
Mátyás Erdély: Oh, wow. That's a very, very difficult question to talk about in general, I think. But I guess what was important for us with Garth was: we are meeting this couple who are in trouble, like they are trying to figure out their relationship. And as the film starts, we don't know yet what is actually going on, but we are learning it as the film progresses.
Mátyás Erdély: Yeah, I don't think our goal was to make it more - I never felt like, "Okay, let's do something that we haven't done before." I don't think our ideas were guided by that necessarily. Although, as you said, yes we are kind of locked up in this house, which creates a sense of claustrophobia, which I think is very important to the story.
Because it's not great for the actors, so if you ever require something from the actor that is very technical, I always try to first to explain what the idea is like, "Okay, so we are planning this shot that it's very crucial that you hit a certain mark where you don't miss a light, because that's the only way we're going to see you," or whatever.
I feel there's a lot of showing off going on in a lot of the films I've seen recently, and most of them - not all of them - but most of them I feel are not just unnecessary, but they're actually hurting the film itself. Because me, when I'm watching these movies, I'm looking at the stunt instead of connecting to the emotions, and we really try to be as honest to the emotions and to the scenes as possible.
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