Hands-on with Fujifilm’s new 40.2-megapixel X-H2 camera
X-H2 mirrorless camera
While the rubberized grips on the X-H2 and X-H2S feel as rigid as small tanks, the height of the grips may leave the tip of your pinky finger hanging in the air. I’m used to this ergonomic flaw with my own full-frame Sony mirrorless cameras, and if it’s a deal-breaker for you on bodies like those, it may be a deal-breaker here. Yes, you can always attach a vertical grip, but those add-ons are cumbersome and make mirrorless cameras feel more like old DSLR clunkers.
Speaking of the EVF, the 5.76 million-dot viewfinder is crisp and has a comfortable eye relief. When using the eye sensor auto-switching live view mode, you do see momentary blackness before the EVF turns on, though it’s in line with how other cameras in this price zone work. Just like the tilt screen, I’ve experienced other cameras that do it better , but they cost much more than the X-H2 and X-H2S.
For example, eye, face, and object tracking are isolated from each other in the settings. So while these focusing systems are advanced, if you’re switching among them, it requires more dialing in and futzing than I initially expected. I know most modern cameras are a small nightmare of menu systems to learn and adapt to, but I hope for the sake of you Fujifilm fans that you can adjust to this without auditing a class on camera menu logic.
It’s easy to think this dichotomy between the siblings could have been remedied if Fujifilm opted for one camera that had both a high megapixel count and a stacked sensor, but according to Yuji Igarashi of Fujifilm, that one-camera solution would have just cost too much. However, the good news is that these cameras have excellently dampened mechanical shutters that are quiet and don’t cause too much vibration within the body.As for the new XF 56mm f/1.
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