Consider 'The Bear,' 'Succession' and 'Beef.' TV is in the midst of an anxiety age. And we seem to love it, episode by excruciating episode.
If you thought running a restaurant was stressful, try opening one. Permits, licenses, staffing. Mold and electrical issues. Create a menu and don’t forget to fix the handle on the walk-in. These are the table stakes on the second season of “The Bear,” whose freshman effort garnered 13 Emmy nominations and provoked untold numbers of panic attacks among faithful viewers.
“The Bear” leads the anxious pack, largely through its flair for matching form to content. As Carmy Berzatto and his crew scrambled to stay open in Season 1, putting out fires personal, professional and literal, the camera darted this way and that, the jagged editing enhancing the sense of off-balance frenzy . If it weren’t so thoroughly rewarding, even redemptive, it would be exhausting. OK, it’s still pretty exhausting.
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