Shelly Bond’s comics memoir (or is it an autobiography, drawn primarily by Imogen Mangle and guests?), Fast Times In Comic Book Editing, evokes the feeling of a time gone by. ShellyBond Comics FastTimesInComicBookEditing
's comics memoir evokes the feeling of a time gone by. Specifically, thirty years ago, when comics editors weren't an endangered species, and Vertigo was the talk of the tiny town that's comics. Fast Times In Comic Book EditingKaren Berger
. If it reads too good to be true in an age where corporations dispose of editors like they're rotting fruit, it's because there's not a lot of time or space dedicated to the jobs in between Comico and Vertigo.is one of the more visually interesting portions, as the Comico office is a dilapidated house in Philadelphia with none of the scale of the Vertigo office to come.has the air of someone telling their college stories to family.
Maybe she wrote about it elsewhere. Maybe it would've poisoned the project. As it is, though, the book reads breezily on a summer's day or during a commute.
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