EvilDeadRise Review: A Deranged Revival Of The Classic Horror Franchise
The latest entry in the Evil Dead franchise opens on a familiar image, inverted for this new chapter — instead of a dilapidated cabin in the middle of an overgrown forest, there is an A-frame in a green meadow straight out of Midsommar's idyllic Swedish countryside. Nestled snuggly against a lake, the cabin's occupants have yet to come across the horrors of the Necronomicon.
The decision to set Evil Dead Rise in a city reveals its benefits immediately as director Lee Cronin's camera swoops, swings, and rushes over cracked concrete into subterranean basements and up the elevator shaft to Ellie's apartment. The director nods to the movement in Raimi's original while showing off the ways the cityscape gives way to new horrors. There are plenty of references to the original film and the genre itself that shows Cronin's respect for the genre.
The 2013 Evil Dead, which was dubbed as a re-imagining of Raimi's classic, retained the spine-chilling gore, but it lacked humor, trading laughs for grotesque cruelty. Evil Dead Rise, which was also written by Cronin, brings back the absurdity in spades while retaining the grimy aesthetic established by the 2013 film. While Evil Dead felt like a bloated corpse in the best way, Evil Dead Rise feels like a recently revived Deadite with a razor-sharp tongue .
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