With a knack for forming tight bonds with rightfully-elusive subjects, Spanish filmmaker Kike Maíllo, who shot to fame with sci-fi debut “Eva,” takes an engrossing and sympathetic look into haute-c…
With a knack for forming tight bonds with rightfully-elusive subjects, Spanish filmmaker Kike Maíllo, who shot to fame with sci-fi debut “Eva,” takes an engrossing and sympathetic look into haute-crime as it pertains to one of the world’s preeminent art forgers, Oswald Aulestia Bach.
Throughout the film, family members, reporters and law enforcement officials appear near-jovial while recounting the case and how much the international syndicate accomplished before the FBI caught wind of the scheme close to a decade later.and produced by Playtime Movies, Maíllo and Toni Carrizosa’s Sábado Películas and The Mediapro Studio-acquired El Terrat , the project marks Filmin’s first original documentary production.
We didn’t start to consider that system until Oswald went to prison. The first thing that shocked us was that the extradited prisoners, the people who are being tried, are like deaf-mutes, they’re treated in the same way, they can’t communicate, they don’t understand the language, so they need an interpreter.
When I approached this documentary, my idea was to see how someone lives outside the law, the mechanics of it, when times are good and they’re earning a lot of money, and when they’re suddenly involved in conflict.
France Dernières Nouvelles, France Actualités
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