'Dune: Part Two' review: More dystopian dream than narrative

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'Dune: Part Two' review: More dystopian dream than narrative
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Denis Villeneuve's “Dune: Part II” is almost as intoxicating as “Part One.” Like its predecessor, “Part Two” thrums with an intoxicating big-screen expressionism of monoliths and mosquitos, fevered visions and messianic fervor.

“Dune: Part Two” stars Timothée Chalamet and Austin Butler sat down with AP film writer Lindsey Bahr to talk about their fight scene, director Denis Villeneuve’s playful approach to creating the sci-fi epic, Chalamet’s growth in between trips to the desert — and that sandworm theatre popcorn bucket. The movie hits theatres March 1.This image released by Warner Bros. Pictures shows Timothee Chalamet in a scene from “Dune: Part Two.” This image released by Warner Bros.

The myth of Paul is already growing among the Fremen, who call him Muad’Dib. Is he the chosen one or a false prophet? Doubts are gradually erased by his accomplishments ; the cunning maneuvering of Lady Jessica; and the worshipful zeal of Stilgar., a relationship that gives a deserving wide-screen canvas to two of the most exciting young movie stars of their generation.

Blue is an important color in the otherwise darker shaded “Dune.” It lights up in Lady Jessica’s eyes and, later, Paul’s too. If you thought Peter O’Toole’s eyes blazed in “Lawrence of Arabia,” Paul’s look like they’ve been pumped through with windshield-wiper fluid. As his following swells, Paul grows increasingly aware, and fearful, of his god-like power.

When Villeneuve temporarily switches to Feyd-Rautha’s story and away from Paul and Chani, the film’s richly orchestrated sense of momentum falters. But the comparison is illuminating. In a massive colosseum, Feyd-Rautha ruthlessly battles a trio of Atreides survivors in a scene, bleached in monochrome, that looks like

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