Five top TV creators talk candidly and passionately about inclusive writers rooms, studio notes on flawed police portrayals, and examining one's own assumptions
Drama Showrunner Roundtable. “The stuff that's under deadline, I'm like, 'Ugh, how do I squeeze out something to say with these characters?' It's almost impossible," Kemp adds. "But I wrote a poem the other day. I haven't written a poem since college."
His book transformed the way that I saw the world, and then I did the deep Ta-Nehisi Coates dive and read everything he wrote. And it was in one of his essays, "The Case for Reparations," that I first saw mention of the Tulsa massacre of 1921, which I'd never heard about, and then I did a deep dive on that. And so when we were putting together the writers room, I reached out to Mr.
There's been a lot of discussion in the wake of George Floyd's killing about the hero cop narrative that has long permeated TV. Courtney, in addition to multipleat HBO, which is inspired by an early 1990s story about corrupt cops. What initially attracted you to the subject, and what can its power be in this moment? Notably, you're setting it in present-day.Yeah, because I was interested in body cams and in certain things that weren't available in the '90s.
, Damon gets to do that because Damon is Damon. Damon can say, "Hey man, I want to tell this story," but if you have an average kid on their way in, a kid of color, who is like, "I want to tell this story, and I think I can takeand put in the Tulsa massacre," who is listening to that pitch? 0.00 people are taking that pitch. Let's call it what it is.
So, you tell Yahya after making episode two, and implicit in this news is this idea that he will be naked a lot. You’ve spoken about the importance of normalizing male nudity in the past, and I’m curious about that conversation and the process of ensuring that Yahya was comfortable? It’s different for every individual.
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