Divino Nino redefine themselves on the bold, but uneven 'Last Spa on Earth.' Read Rosa Sofia Kaminski's review:
There’s this recurring dream I have where I’m sitting in a room filled with shelves and shelves of glittering objects, and am too overwhelmed to appreciate any of them fully., the latest album from psych-pop band Divino Niño, evokes that same wonderstruck, dream-like feeling—as well as that of being overwhelmed.
In general, however, many songs seem to get lost in the next, even though each track is still somehow a bit too much. For example, “Ecstasy” serves as a fun electro-pop song, with glimmers of synth underlaid by beats that beg to be danced to. But randomly, a harsh section of glitched autotune breaks up the party, making it hard to follow the song as a cohesive whole.
Meanwhile, “Miami” is so intensely filled with sharp beats and different autotuned sections that you almost watch it take shape in your hands. The song feels like a forceful rush, leaving you giddy and lightheaded at just two minutes and 27 seconds, and is well-placed in its transition to the sweeter, more welcoming “Mona.” It’s songs like these that break up the mix as, at times, the album struggles to not become a vibey blur.
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