Graeme Guttmann is the Senior TV News Editor for Screen Rant, as well as a critic and interviewer. Graeme joined the Screen Rant team in 2020 as a freelancer before becoming an editor for the news team in 2021.
Summary Netflix's latest literary adaptation looks very different from the rest of their shows — Ripley, based on the Patricia Highsmith character featured most famously in The Talented Mr. Ripley, is drenched in foreboding black and white, stripped of all the digital artifice common in many streaming shows.
Dakota Fanning: I think that's the balance of the story and all of the characters — what's said and what's not being said. What's underneath, what are the hidden motives, the hidden agendas? What are the eyes saying, but the voices saying something different? I think that everyone had to explore that with all of the characters in the show, and Marge was no different. I love doing that as an actor.
Dakota Fanning: I think she has a glimmer of suspicion no matter what and always will, but she knows she can't put her finger on it and almost needs to close the chapter. So it's like, she'll just go with this version. And whether she truly believes it in her heart and soul, I don't think we'll ever know, because I don't think we ever fully know any of the characters. Everyone's kind of revealing what they want to reveal when they need to reveal it.
It seems less likely, yeah. But my last question — of course, we had The Talented Mr. Ripley a couple of decades ago. Did you have the specter of Gweneth Paltrow lingering over you as you filmed this? Did you look at her performance as inspiration because she's so great, but they're both so different?
France Dernières Nouvelles, France Actualités
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