With criterion's beautiful Godzilla box set, sinacolad reflects on this thrilling testament to humanity's ability to get used to pretty much anything
) making it to the Japanese mainland—Honda seems to think that people can get used to anything., Ishiro Honda’s first film in the franchise from 1954, before the monster is even glimpsed off the shore of the island of Odo.
Ironic, perhaps, considering that Toho was such an influential studio during World War II, churning out heroic potboilers and adventure stories with overt through lines of imperialist propaganda. But Honda, who’d up to that point worked on post-war elegies with and various war movie epics with special effects icon Eiji Tsuburaya , doesn’t seem to inveigh against the nationalism which dragged his country into a conflict that ultimately left them under foreign control, devastated by atomic weapons.
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