'Conclave' and Ralph Fiennes go for the (papal) throne

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'Conclave' and Ralph Fiennes go for the (papal) throne
Edward BergerRobert HarrisRalph Fiennes
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A bunch of old men in robes sitting inside and picking a pontiff is not your average pitch in Hollywood.

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Ralph Fiennes, from left, director Edward Berger and Stanley Tucci pose for portrait photographs for the film"Conclave'"on Thursday, Oct. 10, 2024, in London. “Just before the pope comes out onto the balcony and reveals himself, the windows on either side fill up with the faces of the cardinal electors who had come to watch him,” Harris says. “And the camera pans along the faces — elderly, crafty, cunning, some benign, beatific. And I thought: My god, that’s the Roman senate. That’s the old men running the whole institution. I thought: There must be stories here.

“When you know the camera is on you and it’s close, that’s when you know your inner world has to speak,” Fiennes says. Doubt, itself, is a major theme in “Conclave.” When Lawrence first speaks to the assembled cardinals, he makes the case that doubt, not certainty, should guide their search for a new pope. As the film continues, Lawrence’s predicament weighs increasingly heavily on his faith in the church. It’s the aspect of the character with which Fiennes most connected.

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Edward Berger Robert Harris Ralph Fiennes Religion Peter Straughan World News Stanley Tucci

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