'A lot of times, I get, 'Don't you want to do something a little bit out of your comfort zone? You always play these really forward-thinking, strong, outspoken women.' But I'm like, 'Are you kidding me?''
MITCHELL: Was that just for you to remind yourself of why you wanted to do this?Twilight filmsMITCHELL: With a film like, I wonder how you walk away from being that character. [In the film, Stewart plays Mallory, a teenage stripper who develops a friendship with a man, played by James Gandolfini, whose marriage is falling apart as he grieves over the death of his daughter.]
right after, and I think the director of that movie might have said to another cast member that he had to beat the Joan Jett out of me. [] For a while, I just walked kind of hunched over. Joan has great defensive tools, and I became a bit attached to them.New Moon, and I remember going to Comic-Con with a Minor Threat T-shirt on. I was really happy and excited to be there, but I was so defensive and crazy. [L] It’s hard to deal with the press.
STEWART: She’d probably be kind of like me. There are a lot of other actors, too, who do this because you have to.MITCHELL: Is there something that drives you to do it? STEWART: Yeah, but the performance aspect does go away on set for me. The reason I choose things is because I feel like this character kind of exists. So on set, it’s really more about, “Oh, man, I’ve got to do this justice.” It’s about not letting someone down.STEWART: Yeah, but I mean, it’s the only reason to do it.STEWART: Yeah. I don’t know why anyone does the job without that pressure.
MITCHELL: Incredibly dark—and violent. I think of you as being somebody who expresses herself in physical movement, and there is a lot of movement inTHERON: I move a lot in this film. It was important for me to get across this sense of urgency. I think it was also that I needed to find out why my character, Queen Ravenna, was going mad.
MITCHELL: This idea of Ravenna being trapped in a cage is interesting, because I think that you’ve played a number of characters who are essentially, in some way or another, trapped—and very often isolated and lonely. THERON: I can’t speak for other actors or actresses, but god, I feel like we are all craving that kind of thing. I had to do a couple of these roundtables whencame out last year with a bunch of actresses whom I really admire, and I felt like this sub- ject came up quite a bit—this frustration of not having enough material out there that really challenges and explores and asks questions about who we really are as women.
THERON: That was the whole idea that we wanted. For me, that was the hardest part of the movie because it’s such an iconic thing: I mean, “Mirror, mirror, on the wall, who is the fairest of them all?” Everything else was so anchored in a kind of reality, and then this thing shows up, and it’s very hard to say these words nd have them have meaning. So we had to come up with a way to allow them to have meaning.
THERON: Yeah. The great thing was that Rupert came up with this incredible bronze mirror that’s not really a mirror, so it’s very hard to see your own reflection. I actually speak to a kind of mirror man. It’s like this bronze liquid statue that appears in front of me, and it’s more of a conversation with him.
THERON: A lot of the characters that I’ve played have also grown up questioning things because of how they were told to live or to survive. I mean, you can’t deny that those first couple years really instill in you some kind of an idea of how the world works. For Aileen Wournos in, it was that you can’t trust anybody. “I’m homeless, no one will take care of me, everybody’s gonna fuck me over, everybody wants to have sex with me and use me”—that was the first 13 years of her life.
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