A TV breakout with Netflix's 'Elite,' the Spanish actress goes dark in the new Mexican chiller from Amat Escalante.
. The Mexican helmer, a Cannes regular, put his stamp on extreme arthouse cinema and won Cannes’ best director prize with 2013’sa brutal look at drug violence that included a nearly unwatchable scene in which a boy has his genitals doused with gasoline and then set on fire.], I went and watched them,” says Expósito, “and yeah, they’re rough. But I really like them. He has a very personal, very sensitive vision. I knew I wanted to make this movie with him.
with John Cusack. My parents were a bit surprised. They tried to make me stop, or wait till I was older, but they couldn’t.”, Expósito says she was a typecast as the Carla-esque mean girl and got offered “a lot of the same kind of roles, a bit cliched,” which is one of the reasons she jumped at working with Escalante.
“This is the most personal movie, the most independent movie that I’ve ever done,” she says, “it was hard because we shot very quickly and I ended up very tired, also emotionally but it was also beautiful because I learned a lot and I think I evolved, I progressed as an actress. I love cinema and I want to do more.”
Walking the Cannes red carpet this year — as an actress, not a brand ambassador — was “very magical and very emotional” she says, “especially to be here with Amat, at this festival that has given him so much.”“Two years from now, who knows? Maybe I could come with a movie in the competition. I know [Pedro] Almodovar, maybe I should talk to him.”
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