Here's the BarryHBO scene that made Sarah Goldberg think, 'I actually don't think I can do it.'
After four seasons of Barry, it’s hard to imagine Sarah Goldberg ever having any doubt in her craft whatsoever, but while on Collider Ladies Night, she did revisit the challenge of making the pivot from stage to screen.
“I always knew where I was on a stage. Of course I get opening night nerves like anyone and all of that, but I understood where I was, I understood the wings, and the feel of it, and the moments before, and you're in the darkness and you can feel the audience coming in. I really got the rhythm of it. And the beauty about being on stage is it's a team sport.
“The way I've sort of achieved that I think is understanding the person behind the machine and that they are very much a part of this collective, too. So like on Barry Seasons 3 and 4, we had the most incredible camera A operator, a guy called Don Devine. Lives up to the name. He shot all of Mad Men. He's like the best in the biz. And Don is there with this giant piece of machinery, but Don is as focused as I am on these tiny little minutiae moments of the story we're trying to tell.
Somewhere along the way, the two met in the middle, and it’s an evolution that Goldberg’s come to deeply value. “The hardest thing to shoot was this season, Episode 4 when I'm on the set of Mega Girls and Sally has to turn this terrible speech, intentionally terrible — our writers did a beautiful job of writing a very piss poor speech that I then had to turn into something theatrically viable. I was trying to rehearse the text, but I did not know what to do with this.
It takes 31 episodes, but finally, Sally begins to break free of her reliance on Barry's "safety" and her need to be accepted by others, and finally offers up a truthful assessment of what she’s done and her current situation in the series finale when she tells John what she and Barry have done.
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