In this issue of Amplify, columnist Marsha Lederman discusses Canadian director Sarah Polley’s latest film
has received many accolades, including the Independent Spirit Robert Altman Award.
The hours were reasonable. There was a therapist onset. If someone was having trouble – and with this traumatic material, it happened – cast and crew took breaks.Globe contributor Johanna Schneller I rewatched the film this week and was transfixed once again. But every now and then the experience was interrupted by my rage that not a single one of these superb actors was recognized with an Oscar nomination. Rooney Mara, Jessie Buckley, Claire Foy. Sheila McCarthy! These are among the best performances you will ever see.
In a recent Vanity Fair interview, Polley talked about encounters she has had with customs agents – always men – as she frequently enters the U.S. to promote the film. When she explains her reason for visiting, the officer will ask for the movie’s title. Her answer, “” elicits a similar response, repeatedly. “Cue the eye rolls, the ‘I don’t need any more of that in my life’ groans,”We have come a long way, baby. But at the Oscars, and too many other places, not far enough.
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