Ahsoka Tano's live-action portrayal has been a big change, one that her own show is so far struggling to articulate. But one part of it still gives me hope.
life since the very beginning, having composed music for—including the 14-note leitmotif that has followed her from that first movie 15 years ago all the way to this end credits sequence—and now-minute orchestration that plays over the series’ ending titles.
’ narrative—Ahsoka Tano, Jedi no more, living legend, a bridge across three generations of the Skywalker Saga! Is this not what she is, what she is meant to be? But then it quietens for a beat. Everything that built up draws back. The drums fade away, the horns fade away, the string section fades away, until we again return to Ahsoka’s leitmotif: no longer heroic but now mournful, melancholic, isolated to just a single primary string and wind instrument in tandem.
France Dernières Nouvelles, France Actualités
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