How a long commute became a drive into America's heart in Director Morrisa Maltz's The Unknown Country.
“I want to make a movie about a young woman traveling alone. I don’t know what that is, I don’t know what that means, but I want to start there.” – Morrisa Maltz."Her presence was insane," Maltz said."I liked the other actors in that movie but Lily really stood out to me." It's that presence that's so important in, as much of the first act of Tana's voyage of self-discovery is in quietly observing, absorbing, and responding to the stories of others.
They inevitably discussed the idea of the film, and it was Bearkiller who suggested making the protagonist Indigenous: and having seen Gladstone in, suddenly Maltz understood the story she was trying to tell."I couldn't picture what the film was until that combination of things." But it wasn't simply about the real Lainey and the fictional Tana, but all the real people who appear in the film as themselves."Dale's story and Pam's story, the waitress and motel owner and the gas station attendant, they showed what they wanted to show of themselves and built in their characters into the film. Otherwise, without all the people who wanted to be giving their stories, there wouldn't be a film.
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