Aryanna is a homebody who enjoys spending her time watching her favorite movies and TV shows or listening to music and podcasts. However, she understands the benefits of giving her eyes and mind a break, so the rest of her time is spent journaling, spending time with loved ones and playing with her dog.
Summary Romantic films from directors like Makoto Shinkai and Yoshimitsu Morita showcase the best of Japanese cinema. It's a part of Asian entertainment that has seen a recent rise in worldwide popularity along with K-dramas. Similar to romantic K-dramas, many Japanese romance films employ some of the most popular tropes in romance, such as love at first sight and love triangles. These tropes allow all audiences to connect with the foreign films' stories.
When Takumi recalls the early days of his relationship with Mio, Be with You is at its most heartfelt. Nakamura and Takeuchi give strong performances throughout and are entirely believable as the reunited couple. As much love as there is between the family in Be with You, there are still fantasy elements. Mio's unexplainable reappearance is a mystery to the characters within the film and to audiences watching.
One Week Friends is the third adaptation of a manga series of the same name, following a television series and stage play. Though the story does have a heavier focus on Yuki and Kaori's budding friendship, there is still enough romance to satisfy audiences, particularly those looking for a realistic build. Both accomplished actors in their own right, Yamazaki and Kawaguchi work well on screen together and have great chemistry that contributes to their sweet scenes together.
Initiation Love's characters, while not entirely likable, are fascinating to follow and make it easy for audiences to remain engaged until the end. Initiation Love ends unexpectedly, and it's something that must be experienced with as little information beforehand. Despite Initiation Love leaning into its main mystery for a majority of the film, everything revolves around a romantic relationship. It's just not the sweet love story found in other films.
It becomes clear the chatroom is a means of escape from the struggles and loneliness in their personal lives — details about their lives are not shared with one another and are only known to the audience. Haru's director, Yoshimitsu Morita, cleverly utilizes the early technology. Much of the film is spent looking at a blue screen with white text showing the exchanged online messages.
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